[et_pb_section fb_built=”1″ fullwidth=”on” next_background_color=”#ffffff” admin_label=”Hero Section” _builder_version=”4.27.4″ background_color=”#050103″ background_enable_image=”off” parallax=”on” custom_padding=”0px|0px|0px|0px” bottom_divider_style=”slant” global_colors_info=”{}”][et_pb_fullwidth_header title=”BASTARD ” subhead=”2025″ text_orientation=”right” background_overlay_color=”rgba(0,0,0,0)” image_orientation=”bottom” content_max_width=”700px” admin_label=”Hero” _builder_version=”4.27.4″ title_font=”PT Sans Narrow|||on||||#ffffff|solid” title_text_align=”right” title_text_color=”#ffffff” title_font_size=”60px” title_letter_spacing=”2px” content_font=”Open Sans||||||||” content_font_size=”20px” content_line_height=”1.7em” subhead_font=”PT Sans Narrow||||||||” subhead_text_align=”right” subhead_font_size=”38px” subhead_letter_spacing=”1px” background_color=”#050101″ background_image=”https:\/\/www.teatrpiba.bzh\/wp-content\/uploads\/2025\/10\/Bastard_2025\u00a9DurandSebastien-15bis-1-scaled-e1761036406782.jpg” parallax=”on” custom_button_one=”on” button_one_border_radius=”0px” button_one_letter_spacing=”4px” button_one_font=”Oswald|on||on|” button_one_icon=”$||divi||400″ button_one_icon_color=”#ffffff” custom_margin=”||0px” custom_padding=”50px||349px|||” animation_style=”fade” animation_direction=”bottom” button_one_text_color_hover=”#ffffff” button_one_border_color_hover=”#ffffff” button_one_border_radius_hover=”0px” button_one_letter_spacing_hover=”4px” button_one_bg_color_hover=”rgba(0,0,0,0)” global_colors_info=”{}” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_one_text_color__hover_enabled=”on” button_one_text_color__hover=”#ffffff” button_two_text_color__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_one_border_color__hover_enabled=”on” button_one_border_color__hover=”#ffffff” button_two_border_color__hover_enabled=”off” button_one_border_radius__hover_enabled=”on” button_one_border_radius__hover=”0px” button_two_border_radius__hover_enabled=”off” button_one_letter_spacing__hover_enabled=”on” button_one_letter_spacing__hover=”4px” button_two_letter_spacing__hover_enabled=”off” button_one_bg_color__hover_enabled=”on” button_one_bg_color__hover=”rgba(0,0,0,0)” button_two_bg_color__hover_enabled=”off”][\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.27.4″ background_color=”#ffffff” background_image=”https:\/\/www.teatrpiba.bzh\/wp-content\/uploads\/2019\/02\/symbole-vertic-opacity10_-145x725px.png” background_size=”contain” background_position=”top_left” background_blend=”luminosity” custom_padding=”0%|15%|3%|15%|false|false” global_colors_info=”{}”][et_pb_row column_structure=”1_4,3_4″ _builder_version=”4.27.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.27.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.teatrpiba.bzh\/wp-content\/uploads\/2023\/12\/Mains-LSF-e1772616864908.png” title_text=”Mains LSF” _builder_version=”4.27.5″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”4.27.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.5″ _module_preset=”default” text_text_color=”#000000″ header_text_color=”#000000″ global_colors_info=”{}”]<\/p>\n
\u00a0Une collaboration artistique TEATR PIBA<\/strong> & <\/span>KRISMENN<\/b><\/span><\/p>\n Une mise en sc\u00e8ne de Thomas Cloarec<\/strong><\/span> Dur\u00e9e <\/strong>75mn<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.27.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.27.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.teatrpiba.bzh\/wp-content\/uploads\/2023\/12\/Bastard_2025\u00a9DurandSebastien-32-1-scaled.jpg” title_text=”Bastard_2025\u00a9DurandS\u00e9bastien-32″ _builder_version=”4.27.5″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.5″ _module_preset=”default” text_text_color=”#000000″ global_colors_info=”{}”]<\/p>\n \u00a9S\u00e9bastien Durand<\/em><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.27.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”Texte” _builder_version=”4.27.5″ text_font=”Open Sans||||||||” text_text_color=”#210f0e” ul_font=”||||||||” quote_font=”||||||||” header_font=”||||||||” header_text_color=”#000000″ text_orientation=”justified” custom_padding=”0px|0px|6px|0px|false|false” border_radii=”||||” border_color_top=”#ffffff” border_color_bottom=”#ffffff” global_colors_info=”{}”]<\/p>\n Nous avons tou.te.s, dans nos arbres g\u00e9n\u00e9alogiques, des branches coup\u00e9es. D\u2019un EHPAD breton au cercle polaire arctique, il traque\u00a0les r\u00e9sonances entre les vies de ses compagnons de solitude et la sienne : une passion pour les chouettes, une langue secr\u00e8te, une absence…<\/p>\n Seul sur sc\u00e8ne, au coeur d’un mur de sons et de cloches automates, Christophe Le Menn va et vient entre son studio de musique et des contr\u00e9es lointaines, berc\u00e9 par les t\u00e9moignages du magn\u00e9tophone \u00e0 bobines. Accompagn\u00e9 du compositeur et musicien Tom Leclerc en r\u00e9gie, aux manettes de diff\u00e9rents instruments, Christophe Le Menn aka le rappeur Krismenn raconte, rappe, chante et manipule les sons du m\u00e9tallophone et l’\u00e9lectro du synth\u00e9 modulaire.<\/p>\n Le spectacle comporte une version fran\u00e7aise avec une adaptation artistique en Langue des Signes Fran\u00e7aise (LSF)<\/strong>, o\u00f9 Krismenn est accompagn\u00e9 de la com\u00e9dienne\/interpr\u00e8te Maelc’hen Laviec, et une version bretonne (surtitr\u00e9e en fran\u00e7ais, o\u00f9 l’option LSF est possible<\/strong> \u00e9galement).<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.27.5″ _module_preset=”default” background_color=”#E5E5E5″ global_colors_info=”{}”][et_pb_row column_structure=”3_5,2_5″ _builder_version=”4.27.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.27.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.5″ text_font=”PT Sans Narrow|700|||||||” text_text_color=”#210f0e” text_font_size=”40px” ul_font=”||||||||” quote_font=”||||||||” header_font=”||||||||” text_orientation=”justified” background_layout=”dark” custom_padding=”0px|0px|6px|0px|false|false” border_radii=”||||” border_color_top=”#ffffff” border_color_bottom=”#ffffff” global_colors_info=”{}”][\/et_pb_text][et_pb_text _builder_version=”4.27.5″ text_font=”PT Sans Narrow|700|||||||” text_text_color=”#210f0e” text_font_size=”40px” ul_font=”||||||||” quote_font=”||||||||” header_font=”||||||||” text_orientation=”justified” background_layout=”dark” custom_padding=”0px|0px|6px|0px|false|false” border_radii=”||||” border_color_top=”#ffffff” border_color_bottom=”#ffffff” global_colors_info=”{}”]<\/p>\n La cr\u00e9ation<\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][et_pb_text admin_label=”Texte” _builder_version=”4.27.5″ text_font=”Open Sans||||||||” text_text_color=”#210f0e” ul_font=”||||||||” quote_font=”||||||||” header_font=”||||||||” header_text_color=”#000000″ text_orientation=”justified” custom_padding=”0px|0px|6px|0px|false|false” border_radii=”||||” border_color_top=”#ffffff” border_color_bottom=”#ffffff” global_colors_info=”{}”]<\/p>\n Pendant trois ans, Christophe Le Menn se rend \u00e0 l\u2019EHPAD de Tr\u00e9guier, \u00e0 la recherche de chansons et d\u2019histoires. Cette r\u00e9sidence s\u2019inscrit dans le dispositif culture\/sant\u00e9, port\u00e9 par Lannion Tr\u00e9gor Communaut\u00e9, le Centre hospitalier de Tr\u00e9guier, le th\u00e9\u00e2tre l\u2019Arche\/Le Sillon et Teatr Piba. Il d\u00e9couvre la vie des r\u00e9sidents et r\u00e9sidentes, qui lui transmettent leurs histoires. Le collectage du chasseur de chansons se transforme en moment de partage. L\u2019ann\u00e9e 2024 marque la fin du dispositif, apr\u00e8s trois ann\u00e9es d\u2019\u00e9changes et d\u2019ateliers au sein de l\u2019EHPAD avec la compagnie.<\/p>\n D\u2019autre part, le Teatr Piba est partenaire depuis 2022 du projet europ\u00e9en \u00ab Ph\u014dn\u0113 : giving minority langages a voice \u00bb dont l\u2019objectif est de valoriser les langues minoritaires \u00e0 travers les arts du spectacle. Il r\u00e9unit huit partenaires \u00e0 travers l\u2019Europe. Le projet de Christophe est id\u00e9al pour cette collaboration. D\u2019avril 2022 \u00e0 octobre 2024, Teatr Piba participe \u00e0 plusieurs r\u00e9sidences dans diff\u00e9rents pays et accueille les compagnies europ\u00e9ennes \u00e0 Brest. \u00c0 ces occasions, les premi\u00e8res maquettes de Bastard sont propos\u00e9es au public.<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.27.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=lF0QmK-qM8A” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#e5e5e5″ background_image=”https:\/\/www.teatrpiba.bzh\/wp-content\/uploads\/2019\/02\/photo-vertic-opacity10_-145x725px.png” background_size=”contain” background_position=”bottom_right” custom_padding=”4.2%|15%|1%|15%|false|false” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ custom_padding=”0|0px|0px|0px|false|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.5″ _module_preset=”default” text_font=”PT Sans Narrow|700|||||||” text_text_color=”#000000″ text_font_size=”40px” global_colors_info=”{}”]<\/p>\n Le teaser<\/p>\n [\/et_pb_text][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=4oAHD4bVIQQ” admin_label=”Vid\u00e9o” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}” src__hover_enabled=”off|desktop”][\/et_pb_video][et_pb_text admin_label=”Texte” _builder_version=”4.27.5″ text_font=”Open Sans||||||||” text_text_color=”#210f0e” ul_font=”||||||||” quote_font=”||||||||” header_font=”||||||||” header_text_color=”#000000″ text_orientation=”justified” custom_padding=”0px|0px|6px|0px|false|false” border_radii=”||||” border_color_top=”#ffffff” border_color_bottom=”#ffffff” global_colors_info=”{}”]<\/p>\n \u00ab Je crois que j\u2019ai toujours eu une fascination pour les vieux.<\/em> Christophe LE MENN – Mai 2023<\/strong><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.5″ _module_preset=”default” text_font=”PT Sans Narrow|700|||||||” text_text_color=”#000000″ text_font_size=”30px” global_colors_info=”{}”]<\/p>\n Pr\u00e9sentation du spectacle en Langue des Signes Fran\u00e7aise<\/p>\n [\/et_pb_text][et_pb_video src=”https:\/\/youtu.be\/UEU_XCxDCYo?si=K9I8toYbnc5i7bnh” admin_label=”Vid\u00e9o” _builder_version=”4.27.5″ _module_preset=”default” global_colors_info=”{}” src__hover_enabled=”off|desktop”][\/et_pb_video][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.27.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_gallery gallery_ids=”7860,7863,7866,7854″ show_title_and_caption=”off” show_pagination=”off” _builder_version=”4.27.5″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.27.5″ background_color=”RGBA(255,255,255,0)” background_image=”https:\/\/www.teatrpiba.bzh\/wp-content\/uploads\/2019\/02\/symbole-vertic-opacity10_-145x725px.png” background_size=”contain” background_position=”bottom_left” custom_padding=”3%|15%|3%|15%|true|false” global_colors_info=”{}”][et_pb_row disabled_on=”off|off|off” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.2″ text_font=”PT Sans Narrow|700|||||||” text_text_color=”#210f0e” text_font_size=”30px” text_line_height=”1em” header_font=”||||||||” background_layout=”dark” custom_padding=”0px||10px” border_color_top=”#ffffff” global_colors_info=”{}”]<\/p>\n Informations techniques et artistiques<\/strong> [\/et_pb_text][et_pb_accordion open_toggle_text_color=”#000000″ closed_toggle_text_color=”#000000″ _builder_version=”4.27.5″ _module_preset=”default” toggle_text_color=”#000000″ body_text_color=”#000000″ global_colors_info=”{}”][et_pb_accordion_item title=”Distribution” open=”on” _builder_version=”4.27.5″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Direction artistique \u2013 Thomas Cloarec<\/strong><\/p>\n \u00c9criture \u2013 Christophe Le Menn<\/strong><\/p>\n Cr\u00e9ation musicale \u2013 Tom Leclerc et Christophe Le Menn<\/strong><\/p>\n Com\u00e9dienne\/interpr\u00e8te en Langue des Signes Fran\u00e7aises (LSF) – Maelc\u2019hen LAVIEC<\/strong><\/p>\n Interpr\u00e9tation \u2013 Christophe Le Menn<\/strong><\/p>\n Sc\u00e9nographie \u2013 Nad\u00e8ge Renard<\/strong><\/p>\n Collaboration artistique, cr\u00e9ation sonore – Gw\u00e9nol\u00e9 Peaudecerf<\/strong><\/p>\n R\u00e9gie son \u2013 Gweltaz FOULON et Thomas QU\u00c9R\u00c9<\/strong><\/p>\n R\u00e9gie g\u00e9n\u00e9rale, cr\u00e9ation lumi\u00e8re \u2013 Gaidig BLEINHANT, St\u00e9phane LE BEL,<\/strong> Adaptation en langue bretonne \u2013 Gwenola Co\u00efc et Christophe Le Menn<\/strong><\/p>\n Adaptation en langue des signes fran\u00e7aise (LSF) \u2013 Maelc\u2019hen Laviec<\/strong><\/p>\n Collaboration artistique, conception \u2013 Paul Bridier \/ ONIRI<\/strong><\/p>\n Collaboration artistique, regard ext\u00e9rieur \u00e9criture \u2013 Mil\u00e8ne Tournier<\/strong><\/p>\n Accompagnement \u00e0 la dramaturgie \u2013 Mai Lincoln<\/strong><\/p>\n Administration de production \u2013 Marie Gu\u00e9ti\u00e8re<\/strong><\/p>\n Diffusion et communication \u2013 Marie Lebarbier et Katell Le Joncour<\/strong><\/p>\n [\/et_pb_accordion_item][et_pb_accordion_item title=”Dossier artistique” _builder_version=”4.27.5″ _module_preset=”default” global_colors_info=”{}” open=”off”]<\/p>\nDossier artistique BASTARD<\/a>\n [\/et_pb_accordion_item][et_pb_accordion_item title=”Mentions” open_toggle_text_color=”#000000″ closed_toggle_text_color=”#000000″ _builder_version=”4.27.5″ _module_preset=”default” body_text_color=”#000000″ global_colors_info=”{}” toggle_text_color=”#000000″ open=”off”]<\/p>\n Coproductions :<\/strong> <\/span> Soutiens :<\/strong> <\/span><\/p>\n Ph\u014dn\u0113 : Giving Minority Languages A Voice<\/a> [\/et_pb_accordion_item][\/et_pb_accordion][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.27.5″ background_color=”#E5E5E5″ background_image=”https:\/\/www.teatrpiba.bzh\/wp-content\/uploads\/2019\/02\/symbole-vertic-opacity10_-145x725px.png” background_size=”contain” background_position=”bottom_left” custom_padding=”3%|15%|3%|15%|true|false” global_colors_info=”{}”][et_pb_row disabled_on=”off|off|off” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.2″ text_font=”PT Sans Narrow|700|||||||” text_text_color=”#210f0e” text_font_size=”30px” text_line_height=”1em” header_font=”||||||||” background_layout=”dark” custom_padding=”0px||10px” border_color_top=”#ffffff” global_colors_info=”{}”]<\/p>\n Dates<\/strong> [\/et_pb_text][et_pb_accordion open_toggle_text_color=”#210F0E” closed_toggle_text_color=”#210F0E” _builder_version=”4.27.5″ _module_preset=”default” toggle_text_color=”#210F0E” body_text_color=”#210F0E” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][et_pb_accordion_item title=”2026″ open=”on” _builder_version=”4.27.5″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n [\/et_pb_accordion_item][et_pb_accordion_item title=”2025″ _builder_version=”4.27.5″ _module_preset=”default” global_colors_info=”{}” open=”off”]<\/p>\n R\u00e9sidence cr\u00e9ation musicale R\u00e9sidence sc\u00e9nographie R\u00e9sidence de cr\u00e9ation NOVEMBRE 2025 :<\/strong> Cr\u00e9ation\u00a0<\/strong><\/p>\n [\/et_pb_accordion_item][et_pb_accordion_item title=”2024″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}” open=”off”]<\/p>\n R\u00e9sidence de cr\u00e9ation R\u00e9sidence de cr\u00e9ation, Dans le cadre du projet Ph\u014dn\u0113<\/a> Fin du dispositif Culture\/Sant\u00e9 R\u00e9sidence de cr\u00e9ation dans le cadre du projet Ph\u014dn\u0113<\/a> R\u00e9sidence de cr\u00e9ation dans le cadre du projet Ph\u014dn\u0113<\/a> R\u00e9sidence de cr\u00e9ation R\u00e9sidence de cr\u00e9ation <\/p>\n<\/div>\n [\/et_pb_accordion_item][et_pb_accordion_item title=”2023″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}” open=”off”]<\/p>\n
<\/span>Versions linguistiques – Breton \/ Fran\u00e7ais \/ Langue des Signes Fran\u00e7aise<\/strong>
Tout public, \u00e0 partir de 12 ans<\/strong><\/span><\/p>\n
Que reste-t-il quand la transmission s\u2019est bris\u00e9e ? De quoi h\u00e9rite-t-on sans le savoir ? Quels myst\u00e8res nous relient ? Depuis quatre ans, Krismenn explore nos territoires isol\u00e9s, collecte les voix invisibles.<\/p>\n
Je sais pas pourquoi.<\/em>
Quand on est jeune,<\/em>
Les vieux<\/em>
C\u2019est comme s\u2019ils ne faisaient pas partie du m\u00eame monde,<\/em>
Il y a les humains, les animaux, les plantes et y\u2019a les vieux.<\/em>
Un monde parall\u00e8le.<\/em>
Ils ne nous ressemblent pas vraiment,<\/em>
Ils ne marchent pas tous sur leurs deux jambes,<\/em>
Souvent ils ne parlent pas la m\u00eame langue\u2026<\/em>
(…)<\/em>
\u201c Moi j\u2019ai pas de p\u00e8re \u201d<\/em>
Elle me dit<\/em>
\u201c Moi non plus \u201d<\/em>
Je lui r\u00e9ponds<\/em>
Elle se remet \u00e0 chanter.<\/em>
Claude et moi on a pas de p\u00e8re.<\/em>
Je viens de d\u00e9couvrir \u00e7a comme \u00e7a<\/em>
Entre un papillon et une chanson.<\/em>
J\u2019ai l\u2019impression d\u2019\u00eatre reli\u00e9 \u00e0 elle par le m\u00eame myst\u00e8re. \u00bb<\/em><\/p>\n
<\/span><\/p>\n
Adeline MAZAUD<\/strong><\/p>\n
Th\u00e9\u00e2tre de Cornouaille<\/a>, Sc\u00e8ne Nationale de Quimper<\/span>
La Passerelle<\/a>, Sc\u00e8ne Nationale de Saint-Brieuc
La Paillette<\/a>, Rennes
La Car\u00e8ne<\/a>, Brest<\/span>
Le Th\u00e9\u00e2tre L\u2019Arche-Le Sillon<\/a>, Pleubian
La Grande Boutique<\/a>, Langonnet<\/span><\/p>\n
Union Europ\u00e9enne<\/a>
Minist\u00e8re des Solidarit\u00e9s et de la sant\u00e9<\/a>
DRAC Bretagne<\/a>
Institut Fran\u00e7ais-r\u00e9gion Bretagne<\/a>
R\u00e9gion Bretagne<\/a>
D\u00e9partement du Finist\u00e8re<\/a>
Ville de Brest<\/a>
Lannion-Tr\u00e9gor Communaut\u00e9<\/a>
Centre Hospitalier de Tr\u00e9guier<\/a>
Itin\u00e9raires d\u2019artiste(s) 2024<\/a> – Coop\u00e9ration Nantes-Rennes-Brest-Rouen-Le Mans<\/span>
Spedidam<\/a><\/p>\n
<\/span><\/p>\n\n
\n
La Car\u00e8ne<\/a>
BREST (29)<\/p>\n\n
Amzer Nevez<\/a>
PLOEMEUR (56)<\/p>\n\n
Centre Culturel le Sillon<\/a>
PLEUBIAN (22)<\/p>\n\n
\n
Centre Culturel le Sillon<\/a>
PLEUBIAN (22)<\/p>\n\n
Chapelle Derezo<\/a>
BREST (29)<\/p>\n\n
Maison du Th\u00e9\u00e2tre<\/a>
BREST (29)<\/p>\n\n
EHPAD DE TREGUIER (22)<\/p>\n\n
LEEUWARDEN (Pays-Bas)<\/p>\n\n
STORSLETT (Norv\u00e8ge)<\/p>\n\n
CDN de Normandie-Rouen<\/a>
ROUEN (76)<\/p>\n\n
La Fabrique Bellevue-Chantenay<\/a>
NANTES (44)<\/p>\n<\/div>\n\n
R\u00e9sidence d\u2019\u00e9criture, dans le cadre du projet Ph\u014dn\u0113<\/a>
STORSLETT (Norv\u00e8ge)<\/li>\n<\/ul>\n\n
R\u00e9sidence d\u2019\u00e9criture, dans le cadre du projet Ph\u014dn\u0113<\/a>
PLONEOUR-LANVERN\u00a0(29)<\/li>\n<\/ul>\n\n
R\u00e9sidence d\u2019\u00e9criture dans le cadre du dispositif culture\/sant\u00e9
Centre culturel l\u2019Arche Le Sillon<\/a>
PLEUBIAN (22)<\/li>\n<\/ul>\n