[et_pb_section fb_built=”1″ fullwidth=”on” next_background_color=”#ffffff” admin_label=”Hero Section” _builder_version=”3.19.12″ background_color=”#050103″ parallax=”on” custom_padding=”0px|0px|0px|0px” bottom_divider_style=”slant”][et_pb_fullwidth_header title=”RUMEURS” subhead=”2014″ text_orientation=”right” background_overlay_color=”rgba(0,0,0,0)” image_orientation=”bottom” content_max_width=”700px” admin_label=”Hero” _builder_version=”3.19.12″ title_font=”PT Sans Narrow|||on||||#ffffff|solid” title_text_align=”right” title_text_color=”#ffffff” title_font_size=”60px” title_letter_spacing=”2px” content_font=”Open Sans||||||||” content_font_size=”20px” content_line_height=”1.7em” subhead_font=”PT Sans Narrow||||||||” subhead_text_align=”right” subhead_font_size=”38px” subhead_letter_spacing=”1px” background_color=”#050101″ background_image=”https:\/\/www.teatrpiba.bzh\/wp-content\/uploads\/2019\/02\/PHOTO-COUV-RUMEUR.jpg” custom_button_one=”on” button_one_border_radius=”0px” button_one_letter_spacing=”4px” button_one_font=”Oswald|on||on|” button_one_icon=”%%3%%” button_one_icon_color=”#ffffff” custom_margin=”||0px” custom_padding=”50px||270px” animation_style=”fade” animation_direction=”bottom” button_one_text_color_hover=”#ffffff” button_one_border_color_hover=”#ffffff” button_one_border_radius_hover=”0px” button_one_letter_spacing_hover=”4px” button_one_bg_color_hover=”rgba(0,0,0,0)” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_one_text_color__hover_enabled=”on” button_one_text_color__hover=”#ffffff” button_two_text_color__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_one_border_color__hover_enabled=”on” button_one_border_color__hover=”#ffffff” button_two_border_color__hover_enabled=”off” button_one_border_radius__hover_enabled=”on” button_one_border_radius__hover=”0px” button_two_border_radius__hover_enabled=”off” button_one_letter_spacing__hover_enabled=”on” button_one_letter_spacing__hover=”4px” button_two_letter_spacing__hover_enabled=”off” button_one_bg_color__hover_enabled=”on” button_one_bg_color__hover=”rgba(0,0,0,0)” button_two_bg_color__hover_enabled=”off”][\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.19.12″ background_color=”#ffffff” background_image=”https:\/\/teatrpiba.bzh\/wp-content\/uploads\/2019\/02\/symbole-vertic-opacity10_-145x725px.png” background_size=”contain” background_position=”top_left” background_blend=”luminosity” custom_padding=”0%|15%|3%|15%|false|false”][et_pb_row custom_padding=”0|0px|18px|0px|false|false” _builder_version=”3.19.12″ module_alignment=”center”][et_pb_column type=”4_4″ _builder_version=”3.19.12″ parallax=”off” parallax_method=”on”][et_pb_text _builder_version=”3.19.12″ text_font=”Open Sans||||||||” text_text_color=”#210f0e” ul_font=”||||||||” quote_font=”||||||||” header_font=”||||||||” border_radii=”||||” border_color_top=”#ffffff” border_color_bottom=”#ffffff” text_orientation=”justified” background_layout=”dark” custom_padding=”0px|0px|6px|0px|false|false”]<\/p>\n
Tout public \u00e0 partir de 8 ans [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=”0|0px|0|0px|false|false” _builder_version=”3.19.12″ module_alignment=”center”][et_pb_column type=”4_4″ _builder_version=”3.19.12″ parallax=”off” parallax_method=”on”][et_pb_text _builder_version=”3.19.12″ text_font=”Open Sans||||||||” text_text_color=”#210f0e” text_font_size=”19px” ul_font=”||||||||” quote_font=”||||||||” header_font=”||||||||” border_radii=”||||” border_color_top=”#ffffff” border_color_bottom=”#ffffff” text_orientation=”justified” background_layout=”dark” custom_padding=”0px|0px|6px|0px|false|false”]<\/p>\n L\u2019eau et la rumeur.<\/span><\/p>\n D\u2019abord il y a l\u2019eau. L\u2019eau du fleuve, l\u2019eau de pluie, l\u2019eau qui irrigue, qui nourrit. L\u2019eau qui lave, l\u2019eau qui abreuve, <\/span>l\u2019eau qui dort.<\/span><\/p>\n Ensuite, c\u2019est l\u2019eau qui charrie les troncs d\u2019arbres et les coques de fruit, les bouteilles en plastique, les rumeurs de l\u2019amont et les nouveaut\u00e9s remont\u00e9es depuis la ville par pirogues rapides, \u00e0 contre-courant.<\/span><\/p>\n Il y a Euhay (grande soeur) aux prises avec ces rumeurs de plus en plus nombreuses, de plus en plus pr\u00e9cises, et le sentiment d\u2019incertitude, de danger, d\u2019engloutissement in\u00e9luctable qu\u2019elles v\u00e9hiculent.<\/span><\/p>\n Euhay, comme sa m\u00e8re Mai et son fr\u00e8re Nongsay doivent accepter et lutter tout \u00e0 la fois, et ainsi grandir ense m\u00e9tamorphosant. Mais cela ne peut se faire sans verser un peu sang, ni sans \u00e9corner l\u2019image de quelques vieux anc\u00eatres un peu moisis.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.19.12″ background_color=”#e5e5e5″ background_image=”https:\/\/teatrpiba.bzh\/wp-content\/uploads\/2019\/02\/photo-vertic-opacity10_-145x725px.png” background_size=”contain” background_position=”bottom_right” custom_padding=”4%|15%|4%|15%|true|false”][et_pb_row custom_padding=”12px|0px|0px|0px|false|true” _builder_version=”3.19.12″][et_pb_column type=”4_4″ _builder_version=”3.19.12″ parallax=”off” parallax_method=”on”][et_pb_text _builder_version=”3.19.12″ text_font=”PT Sans Narrow||||||||” text_text_color=”#210f0e” text_font_size=”26px” text_line_height=”30px” header_font=”||||||||” background_layout=”dark” custom_padding=”||10px”]<\/p>\n Deux cr\u00e9ations en parall\u00e8le<\/b><\/p>\n Dans la continuit\u00e9 de ces \u00e9changes, les deux compagnies se sont attel\u00e9s \u00e0 une collaboration artistique plus ambitieuse : deux cr\u00e9ations parall\u00e8les, Metamorfoz en Bretagne et Kaozio\u00f9-Rumeurs, au Laos, dont les dramaturgies pouvaient entrer en r\u00e9sonances.<\/span><\/p>\n En ao\u00fbt 2012 puis en mars 2013, Thomas Cloarec et Lattanakone Insisiengmay ont pos\u00e9, \u00e0 Vientiane, les premi\u00e8res pierres de cet \u00e9change artistique qui s\u2019est \u00e9tendu sur pr\u00e8s de 18 mois, au cours de diff\u00e9rentes r\u00e9sidences de cr\u00e9ation.<\/span><\/p>\n Lors de ces deux premi\u00e8res rencontres artistiques, les deux directeurs artistiques ont entam\u00e9 le processus d\u2019\u00e9criture de Kaozio\u00f9-Rumeurs. En outre, ils ont d\u00e9fini, avec la complicit\u00e9 de structures fran\u00e7aises et locales (l\u2019Institut fran\u00e7ais du Laos, l\u2019\u00c9cole Nationale des Beaux-Arts de Vientiane et l\u2019\u00c9cole Nationale des Arts Traditionnels), le cadre de la r\u00e9sidence de cr\u00e9ation qui a rassembl\u00e9 les membres des deux compagnies, au Laos, en juillet-ao\u00fbt 2013.<\/span><\/p>\n Et\u00e9 2013 : 7 membres du Teatr Piba et 10 membres de Khao Niew entrent en r\u00e9sidence de cr\u00e9ation de Metamorfoz-Laos devenue depuis Kaozio\u00f9-Rumeurs : \u00e9criture de la pi\u00e8ce, travaux sur le corps, la silhouette, l\u2019espace, r\u00e9alisation des maquettes et du d\u00e9cor de la sc\u00e9nographie, lancement de la cr\u00e9ation musicale, travail de conception des costumes, enfin, mise en production et identification des partenaires nationaux et internationaux du projet.<\/span><\/p>\n Une partie de l\u2019\u00e9quipe de Khao Niew s\u2019est \u00e9galement rendue en Bretagne, invit\u00e9e par le Teatr Piba en janvier\/f\u00e9vrier 2014, pour y puiser, au gr\u00e9 des rencontres et d\u2019\u00e9tapes de travail, inspirations et pratiques pour concr\u00e9tiser la cr\u00e9ation de leur projet. Ces artistes ont par ailleurs collabor\u00e9 \u00e0 la cr\u00e9ation en cours du Teatr Piba, Metamorfoz.<\/span><\/p>\n Le partage de savoir-faire, de pratiques musicales et th\u00e9\u00e2trales et les \u00e9changes entre les artistes des deux pays ont nourri les deux cr\u00e9ations parall\u00e8les, Metamorfoz et Kaozio\u00f9-Rumeurs. Ils ont port\u00e9 sur : la mise en sc\u00e8ne et la direction artistique, la dramaturgie, la cr\u00e9ation et la manipulation d\u2019objet, la sc\u00e9nographie, la cr\u00e9ation musicale, la production et la diffusion.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.19.12″ background_color=”#ffffff” background_image=”https:\/\/teatrpiba.bzh\/wp-content\/uploads\/2019\/02\/symbole-vertic-opacity10_-145x725px.png” background_size=”contain” background_position=”bottom_left” custom_padding=”3%|15%|3%|15%|true|false”][et_pb_row custom_padding=”|0px|0px|0px|false|true” _builder_version=”3.19.12″][et_pb_column type=”1_2″ _builder_version=”3.19.12″ parallax=”off” parallax_method=”on”][et_pb_text _builder_version=”3.19.12″ text_font=”PT Sans Narrow|700|||||||” text_text_color=”#210f0e” text_font_size=”30px” text_line_height=”1em” header_font=”||||||||” background_layout=”dark” custom_padding=”||10px”]<\/p>\n \u00c9quipe artistique<\/strong> [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.19.12″ parallax=”off” parallax_method=”on”][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=”0|0px|8.95px|0px|false|false” _builder_version=”3.19.12″ module_alignment=”center”][et_pb_column type=”4_4″ _builder_version=”3.19.12″ parallax=”off” parallax_method=”on”][et_pb_text _builder_version=”3.19.12″ text_font=”Open Sans||||||||” text_text_color=”#210f0e” ul_font=”||||||||” quote_font=”||||||||” header_font=”||||||||” border_radii=”||||” border_color_top=”#ffffff” border_color_bottom=”#ffffff” text_orientation=”justified” background_layout=”dark” custom_padding=”0px|0px|6px|0px|false|false”]<\/p>\n Direction artistique et mise en sc\u00e8ne – Lattanakone INSISIENGMAY & Thomas CLOAREC [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=”20px||” _builder_version=”3.19.12″][et_pb_column type=”4_4″ _builder_version=”3.19.12″ parallax=”off” parallax_method=”on”][et_pb_text _builder_version=”3.19.12″ text_font=”PT Sans Narrow|700|||||||” text_text_color=”#210f0e” text_font_size=”30px” text_line_height=”1em” header_font=”||||||||” border_color_top=”#ffffff” background_layout=”dark” custom_padding=”0px||10px”]<\/p>\n Mentions<\/strong> [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=”0|0px|8.95px|0px|false|false” _builder_version=”3.19.12″ module_alignment=”center”][et_pb_column type=”4_4″ _builder_version=”3.19.12″ parallax=”off” parallax_method=”on”][et_pb_text _builder_version=”3.19.12″ text_font=”Open Sans||||||||” text_text_color=”#210f0e” ul_font=”||||||||” quote_font=”||||||||” header_font=”||||||||” border_radii=”||||” border_color_top=”#ffffff” border_color_bottom=”#ffffff” text_orientation=”justified” background_layout=”dark” custom_padding=”0px|0px|6px|0px|false|false”]<\/p>\n Avec le soutien<\/strong> de l\u2019Institut Fran\u00e7ais-R\u00e9gion Bretagne, l\u2019UNESCO \/ Convention sur la protection et la promotion de la diversit\u00e9 des expressions culturelles, SDC \/ Swiss agency for Development and Cooperation, L\u2019institut Fran\u00e7ais du Laos.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.19.12″ background_color=”#e5e5e5″ background_image=”https:\/\/teatrpiba.bzh\/wp-content\/uploads\/2019\/02\/photo-vertic-opacity10_-145x725px.png” background_size=”contain” background_position=”top_right” custom_padding=”0px|0px|0px|0px|true|true” custom_css_main_element=”|| “][et_pb_row custom_padding=”3%|12%|0|12%|false|false” custom_margin=”|||” padding_top_1=”0px” padding_right_1=”0px” padding_bottom_1=”0px” padding_left_1=”0px” _builder_version=”3.19.12″][et_pb_column type=”4_4″ _builder_version=”3.19.12″ padding_bottom=”0px” padding_left=”0px” padding_right=”0px” padding_top=”0px” parallax=”off” parallax_method=”on”][et_pb_gallery gallery_ids=”1689,1692,1695,1698,1701″ posts_number=”5″ show_title_and_caption=”off” show_pagination=”off” _builder_version=”3.19.12″ module_alignment=”center”][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=”2.8%|12%|2.8%|12%|true|false” _builder_version=”3.19.12″][et_pb_column type=”4_4″ _builder_version=”3.19.12″ parallax=”off” parallax_method=”on”][et_pb_video src=”https:\/\/youtu.be\/8CSW04Uww58″ _builder_version=”3.19.12″][\/et_pb_video][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Tout public \u00e0 partir de 8 ansCr\u00e9ation en langue lao, surtitr\u00e9e en fran\u00e7ais et en anglaisSpectacle cr\u00e9\u00e9 au Cirque National de Vientiane, le 14 mars 2014 L\u2019eau et la rumeur. 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<\/span>Cr\u00e9ation en langue lao, surtitr\u00e9e en fran\u00e7ais et en anglais
<\/span>Spectacle cr\u00e9\u00e9 au Cirque National de Vientiane<\/strong>, le 14 mars 2014<\/span><\/p>\n
<\/span><\/p>\n
<\/strong>Assistant \u00e0 la mise en sc\u00e8ne – Tony Foricheur<\/strong>
Dramaturgie – Erwan CLOAREC en collaboration avec Thomas CLOAREC et Lattanakone INSISIENGMAY<\/strong>
Interpr\u00e8tes – Vannalet VETDAVONG, Maikham LIVONG, Kitsana CHINMON, Vatsana SAYOUDOM, Bounpaseuth INSISIENGMAY<\/strong>
Musiciens – Odai SANGDAVONG, Thongsamone SITTHIPHONE<\/strong>
Sc\u00e9nographie – Jean-Michel APPRIOU, Khonesavanh ATSOTH<\/strong>
Costumes – Kiritin NORATH<\/strong>
Cr\u00e9ation musicale – J\u00e9r\u00f4me KERIHUEL, Odai SANGDAVONG, Thongsamone SITTHIPHONE<\/strong>
Cr\u00e9ation lumi\u00e8re – Kopkeo VOLATHAM<\/strong>
Titrage – Teatr Piba<\/strong>
Production graphique \/ Webmaster – Samsians Production<\/strong>
Vid\u00e9os – Lao New Wave Cin\u00e9ma \/ Amatha RATSHOMBATH<\/strong>
Photographies – Saig OLLIVIER<\/strong>
Surtitrages anglais – Denis LE JEUNE<\/strong>
Traductions fran\u00e7ais-lao – Viengkeo INTHAVONG<\/strong>
Production \/ Diffusion – Viengkeo INTHAVONG, Siliphaithoun XAYAMOUNGKHOUN, Maiwenn LE NEDELLEC<\/strong><\/p>\n
<\/span><\/p>\n