{"id":3120,"date":"2019-03-28T12:20:38","date_gmt":"2019-03-28T11:20:38","guid":{"rendered":"https:\/\/teatrpiba.bzh\/project\/donvor\/"},"modified":"2020-09-24T15:52:48","modified_gmt":"2020-09-24T13:52:48","slug":"donvor","status":"publish","type":"project","link":"https:\/\/www.teatrpiba.bzh\/en\/project\/donvor\/","title":{"rendered":"Donvor"},"content":{"rendered":"

[et_pb_section fb_built=”1″ fullwidth=”on” next_background_color=”#ffffff” admin_label=”Hero Section” _builder_version=”3.22.3″ background_color=”#050103″ parallax=”on” custom_padding=”0px|0px|0px|0px” bottom_divider_style=”slant”][et_pb_fullwidth_header title=”DONVOR” subhead=”2020″ text_orientation=”right” background_overlay_color=”rgba(0,0,0,0)” image_orientation=”bottom” content_max_width=”700px” admin_label=”Hero” _builder_version=”3.22.7″ title_font=”PT Sans Narrow|||on||||#ffffff|solid” title_text_align=”right” title_text_color=”#ffffff” title_font_size=”60px” title_letter_spacing=”2px” content_font=”Open Sans||||||||” content_font_size=”20px” content_line_height=”1.7em” subhead_font=”PT Sans Narrow||||||||” subhead_text_align=”right” subhead_font_size=”38px” subhead_letter_spacing=”1px” background_color=”#050101″ background_image=”https:\/\/www.teatrpiba.bzh\/wp-content\/uploads\/2020\/01\/IMG_2453.jpg” background_position=”top_left” custom_button_one=”on” button_one_border_radius=”0px” button_one_letter_spacing=”4px” button_one_font=”Oswald|on||on|” button_one_icon=”%%3%%” button_one_icon_color=”#ffffff” custom_margin=”||0px” custom_padding=”50px||270px” animation_style=”fade” animation_direction=”bottom” button_one_text_color_hover=”#ffffff” button_one_border_color_hover=”#ffffff” button_one_border_radius_hover=”0px” button_one_letter_spacing_hover=”4px” button_one_bg_color_hover=”rgba(0,0,0,0)” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_one_text_color__hover_enabled=”on” button_one_text_color__hover=”#ffffff” button_two_text_color__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_one_border_color__hover_enabled=”on” button_one_border_color__hover=”#ffffff” button_two_border_color__hover_enabled=”off” button_one_border_radius__hover_enabled=”on” button_one_border_radius__hover=”0px” button_two_border_radius__hover_enabled=”off” button_one_letter_spacing__hover_enabled=”on” button_one_letter_spacing__hover=”4px” button_two_letter_spacing__hover_enabled=”off” button_one_bg_color__hover_enabled=”on” button_one_bg_color__hover=”rgba(0,0,0,0)” button_two_bg_color__hover_enabled=”off”][\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.22.3″ background_color=”#ffffff” background_image=”https:\/\/teatrpiba.bzh\/wp-content\/uploads\/2019\/02\/symbole-vertic-opacity10_-145x725px.png” background_size=”contain” background_position=”top_left” background_blend=”luminosity” custom_padding=”0%|15%|3%|15%|false|false”][et_pb_row custom_padding=”0|0px|8.95px|0px|false|false” _builder_version=”3.22.3″][et_pb_column type=”4_4″ _builder_version=”3.19.12″][et_pb_text _builder_version=”3.21.1″ text_font=”PT Sans Narrow|500|||||||” text_text_color=”#210f0e” text_font_size=”30px” text_line_height=”1em” header_font=”||||||||” background_layout=”dark” custom_padding=”||10px”]<\/p>\n

Audio Theatre<\/strong>
<\/span><\/p>\n

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A scientific and artistic partnership between\u00a0TEATR PIBA<\/strong> & IFREMER<\/strong><\/span><\/span><\/p>\n

Based on the work of David Wahl<\/strong>
<\/span>Translation – Tangi Daniel<\/strong>
<\/span>Versions – Breton \/ Joual (Quebecois French) ou English \/ Joual<\/strong>
Suitable for all audiences over 12
Running time ~ 70 min<\/strong>
<\/span>Audience capacity ~ 90\/150<\/strong><\/span><\/strong><\/o:p><\/span><\/span><\/p>\n

<\/span><\/p>\n

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<\/em>\u201c\u2026everything we experienced from the Atlantic to Canada seemed to hold together more than we had imagined. The \u2018deep environment\u2019 is of course the ocean abyss. As it forms a border and evokes limits, it would be a pity not to reflect on the abyss in a broader sense. After all, could we not say that the primeval forests of British Columbia that we explored are also \u2018deep forests\u2019? Deep is not just down there, it\u2019s over there. Everywhere far away is deep. Everything that gives us pause for thought or shakes our certitudes is also a deep place. Our ignorance and our fragility are deep environments. Deep is a frontier. Ultimately, it can be anything\u2026 it can take any form, as long as it remains inaccessible to the dry clarity of the Known. Strangely, the deep is something that Science will never be able to fathom. Science may push the boundary further, but the deep will always remain impenetrable. Almost to the point of disappearing. Of going ever deeper. It is no accident that we were, for all these months, filled with questions which drew the object of our study towards the infinite, lending it colossal dimensions. The ocean, space, the origins of life, the future of humanity, technology\u2026 As if marine ecosystems were a melting pot for times and worlds.\u201d <\/span><\/i><\/em><\/span><\/p>\n

David Wahl, Donvor Log Book – September 2017<\/strong><\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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The result of a long-term innovative artistic and scientific collaboration<\/strong> , the show Donvor<\/em> will be staged in January 2020. Teatr Piba invites audiences to a unique sensory adventure in radio drama. Blending poetry and fantasy, the show turns on the narrative of author David Wahl and his associates as they explore the deep ocean at the outer limit of the western world. The audience will be placed at the centre of an immersive device<\/strong>, participating in a voyage of the senses lasting around 100 minutes. The experience is simultaneously dreamlike and realistic, coming and going between dives into the abyss, life on board, on a journey of initiation.<\/p>\n

\u2192\u00a0 The blog<\/a><\/strong><\/p>\n

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Creative Team<\/strong>
<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.19.12″][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=”0|0px|8.95px|0px|false|false” _builder_version=”3.22.3″ module_alignment=”center”][et_pb_column type=”4_4″ _builder_version=”3.19.12″][et_pb_text _builder_version=”3.21.1″ text_font=”Open Sans||||||||” text_text_color=”#210f0e” ul_font=”||||||||” quote_font=”||||||||” header_font=”||||||||” border_radii=”||||” border_color_top=”#ffffff” border_color_bottom=”#ffffff” text_orientation=”justified” background_layout=”dark” custom_padding=”0px|0px|6px|0px|false|false”]Artistic Director – Thomas Cloarec<\/strong>
\n<\/span>Writer and dramaturge – David Wahl<\/strong>
\n<\/span>Assistant Director – Mai Lincoln<\/strong>
\n<\/span>Translation- Tangi Daniel<\/strong>
\nActors – Charlotte Heilmann, Karine Dub\u00e9-Guillois, Krismenn<\/strong>
\nSet designer – Nad\u00e8ge Renard<\/strong>
\n<\/span>Sound Artists – Elodie Fiat, Pablo Salaun<\/strong>
\nSound Designer and Technical Manager – Gwenole Peaudecerf<\/strong>
\nScientists – Pierre-Marie Sarradin, Joz\u00e9e Sarrazin<\/strong>
\nProduction manager – Tony Foricheur<\/strong><\/span>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=”20px||” _builder_version=”3.22.3″][et_pb_column type=”4_4″ _builder_version=”3.19.12″][et_pb_text _builder_version=”3.21.1″ text_font=”PT Sans Narrow|700|||||||” text_text_color=”#210f0e” text_font_size=”30px” text_line_height=”1em” header_font=”||||||||” border_color_top=”#ffffff” background_layout=”dark” custom_padding=”0px||10px”]<\/p>\n

Acknowledgements<\/strong>
<\/span><\/p>\n

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Coproductions :<\/strong> Le Quartz – Sc\u00e8ne nationale de Brest – La Maison du Th\u00e9\u00e2tre – Brest –\u00a0Coop\u00e9ration Nantes \/Rennes\/Brest : Au bout du plongeoir – Rennes m\u00e9tropole, La chapelle d\u00e9r\u00e9zo, La ville de Brest, Les Fabriques Chantenay – Nantes m\u00e9tropole<\/em><\/span>
<\/span>Partners: :<\/strong> Ifremer-Brest, EMSO-A\u00e7ores,\u00a0ANR Lucky Scales,\u00a0<\/span>Ocean Networks-Canada, Itin\u00e9raire(s) d\u2019Artiste(s), UBO LabexMer, La R\u00e9gion Bretagne, Institut Fran\u00e7ais-R\u00e9gion Bretagne, Conseil D\u00e9partemental du Finist\u00e8re, Consulat de France \u00e0 Vancouver, Universit\u00e9 de Victoria (Colombie Britannique).<\/span><\/p>\n

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