[et_pb_section fb_built=”1″ fullwidth=”on” next_background_color=”#ffffff” admin_label=”Hero Section” _builder_version=”3.22.3″ background_color=”#050103″ parallax=”on” custom_padding=”0px|0px|0px|0px” bottom_divider_style=”slant” global_colors_info=”{}”][et_pb_fullwidth_header title=”LIORZHO\u00d9” subhead=”2015″ text_orientation=”right” background_overlay_color=”rgba(0,0,0,0)” image_orientation=”bottom” content_max_width=”700px” admin_label=”Hero” _builder_version=”4.11.4″ title_font=”PT Sans Narrow|||on||||#ffffff|solid” title_text_align=”right” title_text_color=”#ffffff” title_font_size=”60px” title_letter_spacing=”2px” content_font=”Open Sans||||||||” content_font_size=”20px” content_line_height=”1.7em” subhead_font=”PT Sans Narrow||||||||” subhead_text_align=”right” subhead_font_size=”38px” subhead_letter_spacing=”1px” background_color=”#050101″ background_image=”https:\/\/www.teatrpiba.bzh\/wp-content\/uploads\/2020\/01\/IMG_2453.jpg” background_position=”top_left” custom_button_one=”on” button_one_border_radius=”0px” button_one_letter_spacing=”4px” button_one_font=”Oswald|on||on|” button_one_icon=”%%3%%” button_one_icon_color=”#ffffff” custom_margin=”||0px” custom_padding=”50px||349px|||” animation_style=”fade” animation_direction=”bottom” button_one_text_color_hover=”#ffffff” button_one_border_color_hover=”#ffffff” button_one_border_radius_hover=”0px” button_one_letter_spacing_hover=”4px” button_one_bg_color_hover=”rgba(0,0,0,0)” global_colors_info=”{}” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_one_text_color__hover_enabled=”on” button_one_text_color__hover=”#ffffff” button_two_text_color__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_one_border_color__hover_enabled=”on” button_one_border_color__hover=”#ffffff” button_two_border_color__hover_enabled=”off” button_one_border_radius__hover_enabled=”on” button_one_border_radius__hover=”0px” button_two_border_radius__hover_enabled=”off” button_one_letter_spacing__hover_enabled=”on” button_one_letter_spacing__hover=”4px” button_two_letter_spacing__hover_enabled=”off” button_one_bg_color__hover_enabled=”on” button_one_bg_color__hover=”rgba(0,0,0,0)” button_two_bg_color__hover_enabled=”off”][\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.22.3″ background_color=”#ffffff” background_image=”https:\/\/www.teatrpiba.bzh\/wp-content\/uploads\/2019\/02\/symbole-vertic-opacity10_-145x725px.png” background_size=”contain” background_position=”top_left” background_blend=”luminosity” custom_padding=”0%|15%|3%|15%|false|false” global_colors_info=”{}”][et_pb_row _builder_version=”3.25″ custom_padding=”0|0px|8.95px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”3.27.4″ text_font=”PT Sans Narrow|500|||||||” text_text_color=”#210f0e” text_font_size=”30px” text_line_height=”1em” header_font=”||||||||” background_layout=”dark” custom_padding=”||10px” global_colors_info=”{}”]<\/p>\n
Th\u00e9\u00e2tre sonore<\/strong> [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ module_alignment=”center” custom_padding=”0|0px|18px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”3.27.4″ text_font=”Open Sans||||||||” text_text_color=”#210f0e” ul_font=”||||||||” quote_font=”||||||||” header_font=”||||||||” text_orientation=”justified” background_layout=”dark” custom_padding=”0px|0px|6px|0px|false|false” border_radii=”||||” border_color_top=”#ffffff” border_color_bottom=”#ffffff” global_colors_info=”{}”]<\/p>\n Une collaboration artistique et scientifique\u00a0TEATR PIBA<\/strong> & IFREMER<\/strong><\/span><\/span><\/p>\n D\u2019apr\u00e8s l\u2019oeuvre de David Wahl<\/strong> <\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ module_alignment=”center” custom_padding=”0|0px|0|0px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”3.27.4″ text_font=”Open Sans||||||||” text_text_color=”#210f0e” text_font_size=”19px” ul_font=”||||||||” quote_font=”||||||||” header_font=”||||||||” text_orientation=”justified” background_layout=”dark” custom_padding=”0px|0px|6px|0px|false|false” border_radii=”||||” border_color_top=”#ffffff” border_color_bottom=”#ffffff” global_colors_info=”{}”]<\/p>\n <\/em>\u00ab(…) Tout ce que nous avons travers\u00e9, de l\u2019Atlantique au Canada, nous a sembl\u00e9 beaucoup plus coh\u00e9rent qu\u2019on ne pourrait l\u2019imaginer. Ces \u00abenvironnements profonds\u00bb concernent bien s\u00fbr les ab\u00eemes oc\u00e9aniques. Mais puisqu\u2019ils dessinent et nous parlent d\u2019une limite, il serait dommage de ne pas voir en quoi ils invitent \u00e0 une r\u00e9flexion plus vaste. Apr\u00e8s tout, les for\u00eats primaires de Colombie britannique, que nous avons arpent\u00e9es, aux confins de la civilisation occidentale, ne sont-elles pas dites, elles aussi, \u00abfor\u00eats profondes\u00bb ? Profond ce n\u2019est pas qu\u2019en bas, c\u2019est l\u00e0-bas. Tous les endroits lointains sont profonds. Tout ce qui nous interroge, \u00e9branle nos certitudes, est aussi un lieu profond. Notre ignorance, notre fragilit\u00e9 sont des environnements profonds. Profond, c\u2019est une fronti\u00e8re. Enfin\u2026 \u00e7a peut-\u00eatre tout, prendre n\u2019importe quelle forme, du moment que \u00e7a reste inaccessible \u00e0 la clart\u00e9 s\u00e8che du connu. Etrangement, le profond, c\u2019est ce que la science ne pourra jamais saisir. Elle fera bouger la limite mais le profond restera pour jamais imp\u00e9n\u00e9trable. Au risque de dispara\u00eetre. De n\u2019\u00eatre plus profond. Ce n\u2019est pas un hasard, \u00e7a non, que nous ayons durant tous ces mois \u00e9t\u00e9 transperc\u00e9s par des questions \u00e9tirant \u00e0 l\u2019infini l\u2019objet de notre \u00e9tude, jusqu\u2019\u00e0 lui donner des dimensions colossales. L\u2019oc\u00e9an, l\u2019espace, l\u2019origine de la vie, l\u2019avenir de l\u2019humanit\u00e9, la technologie\u2026 Comme si ces \u00e9cosyst\u00e8mes marins \u00e9taient le lieu du m\u00e9lange des temps et des mondes.\u00bb <\/span><\/i><\/em><\/span><\/p>\n David Wahl, Donvor, journal de bord Donvor – Septembre 2017<\/strong><\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.22.3″ background_color=”#e5e5e5″ background_image=”https:\/\/www.teatrpiba.bzh\/wp-content\/uploads\/2019\/02\/photo-vertic-opacity10_-145x725px.png” background_size=”contain” background_position=”bottom_right” custom_padding=”4.2%|15%|1%|15%|false|false” global_colors_info=”{}”][et_pb_row _builder_version=”3.25″ custom_padding=”0|0px|0px|0px|false|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”3.27.4″ text_font=”PT Sans Narrow||||||||” text_text_color=”#210f0e” text_font_size=”26px” text_line_height=”30px” header_font=”||||||||” background_layout=”dark” custom_padding=”||10px” global_colors_info=”{}”]<\/p>\n Fruit d\u2019une exp\u00e9rience in\u00e9dite de collaboration artistique et scientifique<\/strong> au long cours, le spectacle Donvor<\/em> a \u00e9t\u00e9 cr\u00e9\u00e9 en janvier 2020. Le Teatr Piba y convie le public \u00e0 une aventure th\u00e9\u00e2trale radiophonique et sensorielle singuli\u00e8re. Une geste po\u00e9tique et fantastique, livrant le r\u00e9cit d\u2019une exploration de l\u2019auteur David Wahl et de ses comparses, des grands fonds oc\u00e9aniques aux confins du monde occidental. Les spectateurs sont plac\u00e9s au centre d\u2019un dispositif immersif<\/strong>, et prennent part \u00e0 un voyage sensoriel d\u2019une centaine de minutes, \u00e9vocation tour \u00e0 tour onirique et r\u00e9aliste, en va et vient entre plong\u00e9es dans les abysses, vie \u00e0 bord, et voyage initiatique.<\/p>\n \u2192\u00a0 Le blog<\/a><\/strong><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.22.3″ background_color=”#ffffff” background_image=”https:\/\/www.teatrpiba.bzh\/wp-content\/uploads\/2019\/02\/symbole-vertic-opacity10_-145x725px.png” background_size=”contain” background_position=”bottom_left” custom_padding=”3%|15%|3%|15%|true|false” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”3.25″ custom_padding=”|0px|0px|0px|false|true” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”3.27.4″ text_font=”PT Sans Narrow|700|||||||” text_text_color=”#210f0e” text_font_size=”30px” text_line_height=”1em” header_font=”||||||||” background_layout=”dark” custom_padding=”||10px” global_colors_info=”{}”]<\/p>\n \u00c9quipe artistique<\/strong> [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ module_alignment=”center” custom_padding=”0|0px|8.95px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”3.27.4″ text_font=”Open Sans||||||||” text_text_color=”#210f0e” ul_font=”||||||||” quote_font=”||||||||” header_font=”||||||||” text_orientation=”justified” background_layout=”dark” custom_padding=”0px|0px|6px|0px|false|false” border_radii=”||||” border_color_top=”#ffffff” border_color_bottom=”#ffffff” global_colors_info=”{}”]<\/p>\n Direction artistique – Thomas Cloarec<\/strong> <\/strong><\/span><\/p>\n <\/strong><\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ module_alignment=”center” custom_padding=”0|0px|8.95px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”3.27.4″ text_font=”Open Sans||||||||” text_text_color=”#210f0e” ul_font=”||||||||” quote_font=”||||||||” header_font=”||||||||” text_orientation=”justified” background_layout=”dark” custom_padding=”0px|0px|6px|0px|false|false” border_radii=”||||” border_color_top=”#ffffff” border_color_bottom=”#ffffff” global_colors_info=”{}”]<\/p>\n\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ custom_padding=”20px||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”3.27.4″ text_font=”PT Sans Narrow|700|||||||” text_text_color=”#210f0e” text_font_size=”30px” text_line_height=”1em” header_font=”||||||||” background_layout=”dark” custom_padding=”0px||10px” border_color_top=”#ffffff” global_colors_info=”{}”]<\/p>\n Mentions<\/strong> [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ module_alignment=”center” custom_padding=”0|0px|8.95px|3px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”3.27.4″ text_font=”Open Sans||||||||” text_text_color=”#210f0e” ul_font=”||||||||” quote_font=”||||||||” header_font=”||||||||” text_orientation=”justified” background_layout=”dark” width=”100%” custom_padding=”0px|0px|6px|0px|false|false” border_radii=”||||” border_color_top=”#ffffff” border_color_bottom=”#ffffff” global_colors_info=”{}”]<\/p>\n Coproductions :<\/strong> Le Quartz – Sc\u00e8ne nationale de Brest \/ La Maison du Th\u00e9\u00e2tre – Brest \/ Oc\u00e9anopolis – Brest \/ Festival Kann Al Loar \/ Coop\u00e9ration 2018 Itin\u00e9raires d\u2019Artiste(s) Nantes \/Rennes\/Brest : Au bout du plongeoir – Rennes m\u00e9tropole, La Chapelle D\u00e9r\u00e9zo – La ville de Brest, Les Fabriques Chantenay – Nantes m\u00e9tropole<\/em><\/span> [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row disabled_on=”off|off|off” _builder_version=”3.25″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”3.27.4″ text_font=”PT Sans Narrow|700|||||||” text_text_color=”#210f0e” text_font_size=”30px” text_line_height=”1em” header_font=”||||||||” background_layout=”dark” custom_padding=”0px||10px” border_color_top=”#ffffff” global_colors_info=”{}”]<\/p>\n Dates<\/strong> [\/et_pb_text][et_pb_text _builder_version=”4.9.4″ text_font=”Open Sans||||||||” text_text_color=”#210f0e” ul_font=”||||||||” quote_font=”||||||||” header_font=”||||||||” text_orientation=”justified” background_layout=”dark” custom_padding=”2px|0px|0px|0px|false|false” border_radii=”||||” border_color_top=”#ffffff” border_color_bottom=”#ffffff” global_colors_info=”{}”]<\/p>\n 2022<\/p>\n<\/blockquote>\n 13-01-22 <\/strong>La 3’E Saison de l’Ern\u00e9e<\/a> | Ern\u00e9e (53) 18-01-22 <\/strong>Espace Beno\u00eet Groult<\/a> en partenariat avec Le Strapontin<\/a>| Quimperl\u00e9 (29) 21-01-22 <\/strong>Le Petit \u00c9cho de la Mode<\/a> | <\/span><\/span><\/span><\/span>Chatelaudren-Plouagat\u00a0(22)<\/span><\/p>\n 27-01-22 <\/strong>Le Sillon<\/a> | <\/span><\/span><\/span><\/span>Pleubian (22) 31-01-22 -> 13-02\/22 <\/strong>La Reine Blanche<\/a> | <\/span><\/span><\/span><\/span>Paris (75)<\/span><\/strong><\/span><\/span><\/span><\/span><\/span><\/p>\n 11-03<\/strong>-22 <\/strong>L’Arth\u00e9muse<\/a> | Briec de l’Odet (29) 05-03-22 <\/strong>L’Avel Vor<\/a> | Plougastel-Daoulas (29)<\/span><\/span><\/span><\/span><\/span><\/p>\n 17-03-22 <\/strong>Le D\u00f4me<\/a> | Saint-Av\u00e9 (56)<\/span><\/span><\/span><\/span><\/span><\/p>\n 24-03-22 <\/strong>Le Carr\u00e9, Sc\u00e8ne Nationale<\/a> | Ch\u00e2teau-Gontier (53)<\/span><\/span><\/span><\/span><\/span><\/p>\n 05-05-22 <\/strong>Communaut\u00e9 d’agglom\u00e9rations Mont Saint-Michel Normandie<\/a> | Avranches (50)<\/span><\/span><\/span><\/span><\/span><\/p>\n \u00a0<\/span><\/span><\/span><\/span><\/span><\/p>\n <\/span><\/span><\/span><\/span><\/span><\/p>\n <\/span><\/span><\/span><\/span><\/p>\n 2021<\/p>\n<\/blockquote>\n 15-01-21 <\/span><\/span><\/strong>Festival Taol Kurun – Espace Beno\u00eete Groult<\/a> <\/span><\/span>|<\/span><\/span><\/strong> Quimperl\u00e9\u00a0<\/span><\/span> report\u00e9<\/em> 21-01-21\u00a0<\/span><\/span><\/strong>Semaine Internationale du Son – Centre Culturel Le Sillon<\/a> <\/span><\/span>|<\/span><\/span><\/strong>\u00a0Pleubian<\/span><\/span>\u00a0 report\u00e9<\/em> 1-02 au 14-02-21 <\/span><\/strong>Th\u00e9\u00e2tre de la Reine Blanche<\/a> <\/span>|<\/span><\/strong> Paris<\/span>\u00a0 report\u00e9<\/em><\/span><\/span><\/span><\/span><\/span><\/p>\n 29 et 30-03-21 <\/span><\/strong>La Belle Saison – Le Vallon<\/span><\/a> |<\/span><\/strong> Landivisau<\/span>
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<\/span>Traduction – Tangi Daniel<\/strong>
<\/span>Versions – Breton \/ Joual (Qu\u00e9b\u00e9cois) ou Fran\u00e7ais \/ Joual<\/strong>
Tout public \u00e0 partir de 10 ans
Dur\u00e9e du spectacle ~ \u00a070 min<\/strong>
<\/span>Jauge public ~ 90\/150<\/strong><\/span><\/strong>
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<\/span>\u00c9criture et dramaturgie – David Wahl<\/strong>
<\/span>Traduction – Tangi Daniel<\/strong>
Assistance \u00e0 la mise en sc\u00e8ne – Mai Lincoln<\/strong>
Interpr\u00e9tation – Charlotte Heilmann, Karine Dub\u00e9-Guillois, Krismenn<\/strong>
Sc\u00e9nographie – Nad\u00e8ge Renard<\/strong>
<\/span>Cr\u00e9ation sonore, bruitage – \u00c9lodie Fiat, Pablo Salaun, Philippe Ollivier<\/strong>
Cr\u00e9ation sonore et r\u00e9gie – Gwenole Peaudecerf<\/strong>
Scientifiques – Pierre-Marie Sarradin, Joz\u00e9e Sarrazin<\/strong>
Administration de production – Tony Foricheur<\/strong><\/span><\/p>\n
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<\/span>Soutiens :<\/strong>\u00a0Ifremer-Brest,\u00a0Ocean Networks-Canada, Universit\u00e9 de Victoria (Colombie Britannique), <\/span><\/span>Minist\u00e8re de la Culture et de la Communication – DGLFLF & DRAC Bretagne, R\u00e9gion Bretagne, Institut Fran\u00e7ais-R\u00e9gion Bretagne, Conseil D\u00e9partemental du Finist\u00e8re, ville de Brest, Consulat de France \u00e0 Vancouver, <\/span><\/span>UBO LabexMer, ADAMI<\/span>, SPEDIDAM.
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