[et_pb_section fb_built=”1″ fullwidth=”on” next_background_color=”#ffffff” admin_label=”Hero Section” _builder_version=”3.19.12″ background_color=”#050103″ parallax=”on” custom_padding=”0px|0px|0px|0px” bottom_divider_style=”slant”][et_pb_fullwidth_header title=”Karta” text_orientation=”right” background_overlay_color=”rgba(0,0,0,0)” image_orientation=”bottom” content_max_width=”700px” admin_label=”Hero” _builder_version=”3.21″ title_font=”PT Sans Narrow|||on||||#ffffff|solid” title_text_align=”right” title_text_color=”#ffffff” title_font_size=”60px” title_letter_spacing=”2px” content_font=”Open Sans||||||||” content_font_size=”20px” content_line_height=”1.7em” subhead_font=”PT Sans Narrow||||||||” subhead_text_align=”right” subhead_font_size=”38px” subhead_letter_spacing=”1px” background_color=”#050101″ background_image=”https:\/\/teatrpiba.bzh\/wp-content\/uploads\/2019\/03\/COUV-CHARTE-72dpi.jpg” background_position=”bottom_center” custom_button_one=”on” button_one_border_radius=”0px” button_one_letter_spacing=”4px” button_one_font=”Oswald|on||on|” button_one_icon=”%%3%%” button_one_icon_color=”#ffffff” custom_margin=”||0px” custom_padding=”50px||270px” animation_style=”fade” animation_direction=”bottom” button_one_text_color_hover=”#ffffff” button_one_border_color_hover=”#ffffff” button_one_border_radius_hover=”0px” button_one_letter_spacing_hover=”4px” button_one_bg_color_hover=”rgba(0,0,0,0)” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_one_text_color__hover_enabled=”on” button_one_text_color__hover=”#ffffff” button_two_text_color__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_one_border_color__hover_enabled=”on” button_one_border_color__hover=”#ffffff” button_two_border_color__hover_enabled=”off” button_one_border_radius__hover_enabled=”on” button_one_border_radius__hover=”0px” button_two_border_radius__hover_enabled=”off” button_one_letter_spacing__hover_enabled=”on” button_one_letter_spacing__hover=”4px” button_two_letter_spacing__hover_enabled=”off” button_one_bg_color__hover_enabled=”on” button_one_bg_color__hover=”rgba(0,0,0,0)” button_two_bg_color__hover_enabled=”off”][\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.19.12″ background_color=”#ffffff” background_image=”https:\/\/teatrpiba.bzh\/wp-content\/uploads\/2019\/02\/symbole-vertic-opacity10_-145x725px.png” background_size=”initial” background_position=”top_left” background_blend=”luminosity” custom_padding=”0%|15%|3%|15%|false|false”][et_pb_row custom_padding=”29px||0|0|false|false” _builder_version=”3.19.12″][et_pb_column type=”4_4″ _builder_version=”3.19.12″][et_pb_text _builder_version=”3.19.12″ text_font=”Open Sans|500|||||||” text_text_color=”#210f0e” text_font_size=”19px” header_font=”||||||||” background_layout=”dark” custom_padding=”||10px”]<\/p>\n
\u00ab Le dialogue comme la diversit\u00e9 des cultures ne sont pas donn\u00e9s une fois pour toutes. <\/span><\/i>Sans cesse ils se travaillent. \u00bb<\/span><\/i><\/p>\n K\u014dichir\u014d Matsuura, ex-Directeur G\u00e9n\u00e9ral de l’UNESCO<\/b><\/p>\n \u00ab L’autarcie culturelle et raciale est une marche \u00e0 la mort. <\/span><\/i>Elle est tout aussi irr\u00e9alisable que son contraire, une culture mondiale uniforme. \u00bb<\/span><\/i><\/p>\n Jean-Claude Carri\u00e8re<\/i><\/b><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=”50px|0px|0|0px|false|false” _builder_version=”3.19.12″ module_alignment=”center”][et_pb_column type=”4_4″ _builder_version=”3.19.12″][et_pb_text _builder_version=”3.19.12″ text_font=”Open Sans||||||||” text_text_color=”#210f0e” ul_font=”||||||||” quote_font=”||||||||” header_font=”||||||||” border_radii=”||||” border_color_top=”#ffffff” border_color_bottom=”#ffffff” text_orientation=”justified” background_layout=”dark” custom_padding=”0px|0px|6px|0px|false|false”]Teatr Savet eo bet e 2009, da heul emvodo\u00f9 ha kenlabour arzourien a bep seurt – komedianed, sonerien ha leurennerien en o zouez – a gomz brezhoneg an holl anezho, o devez doareo\u00f9 tost da labourat, o deus bet rannet o skiant-prenet, hag a zo desachet gant ar memes c\u2019hoant : kroui\u00f1 pezhio\u00f9-c\u2019hoari bev hag a-vrema\u00f1 e brezhoneg. Arzel eo hor pal, da genta\u00f1-penn, ha pa zalc\u2019himp da labourat ingal war ar yezh. Fellout a ra deomp mont gant un hent kroui\u00f1 digor, en ur bledi\u00f1 gant temo\u00f9 a-vrema\u00f1.[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=”50px|0px|41px|0|false|false” _builder_version=”3.19.12″ module_alignment=”center”][et_pb_column type=”4_4″ _builder_version=”3.19.12″][et_pb_text _builder_version=”3.19.12″ text_font=”PT Sans Narrow|700|||||||” text_text_color=”#210f0e” text_font_size=”30px” text_line_height=”1em” header_font=”||||||||” background_layout=”dark” custom_padding=”||10px”]Palio\u00f9<\/strong>[\/et_pb_text][et_pb_text _builder_version=”3.19.12″ text_font=”Open Sans||||||||” text_text_color=”#210f0e” ul_font=”||||||||” quote_font=”||||||||” header_font=”||||||||” border_radii=”||||” border_color_top=”#ffffff” border_color_bottom=”#ffffff” text_orientation=”justified” background_layout=”dark” custom_padding=”0px|0px|6px|0px|false|false”]En tu all d\u2019ar bariadenn m\u2019eo kroui\u00f1 en ur yezh minorelaet e fell deomp sellet a-dost ouzh darvoudo\u00f9 hor mare, mont en-dro hor c\u2019hevredigezh. Diaesoc\u2019h-diaesa\u00f1 eo an en-dro politikel ha sokial, hag e vezer techet da asanti\u00f1 da ginnigo\u00f9 sevenadurel a dalvezfe evit an holl, kentoc\u2019h eget digori\u00f1 an nor d\u2019ar re dishe\u00f1vel o doare da so\u00f1jal ha da groui\u00f1. Perak neuze ez eo a-bouez selaou mouezhio\u00f9 ar minorelezhio\u00f9, en ur zerc\u2019hel kont deus ar meskajo\u00f9 sevenadurel a zo deus outo ha deus an eskemmo\u00f9 ?[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=”0|0px|41px|0|false|false” _builder_version=”3.19.12″ module_alignment=”center”][et_pb_column type=”4_4″ _builder_version=”3.19.12″][et_pb_text _builder_version=”3.19.12″ text_font=”PT Sans Narrow|700|||||||” text_text_color=”#210f0e” text_font_size=”30px” text_line_height=”1em” header_font=”||||||||” background_layout=”dark” custom_padding=”||10px”]Dibabo\u00f9 arzel<\/strong>[\/et_pb_text][et_pb_text _builder_version=”3.19.12″ text_font=”Open Sans||||||||” text_text_color=”#210f0e” ul_font=”||||||||” quote_font=”||||||||” header_font=”||||||||” border_radii=”||||” border_color_top=”#ffffff” border_color_bottom=”#ffffff” text_orientation=”justified” background_layout=”dark” custom_padding=”0px|0px|6px|0px|false|false”]Dibabo\u00f9 arzel liesstumm hag oc\u2019h emdroi\u00f1 a vo diazez labourio\u00f9 kroui\u00f1 kenta\u00f1 an Teatr Piba. Lakaat a rint war-wel talvoudegezh vras ul labour barzhoniel a reomp-ni, hag ar bed kroui\u00f1 ez eo hor hini. Al labourio\u00f9-se a zo stag ouzh un ijin awenet kement gant ar bandenno\u00f9-treset, ar sinema, ar sonerezh, ar varzhoniezh, al lennegezh hag ar c\u2019hoariva. \u00a0<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=”0|0px|41px|0px|false|false” _builder_version=”3.19.12″ module_alignment=”center”][et_pb_column type=”4_4″ _builder_version=”3.19.12″][et_pb_text _builder_version=”3.19.12″ text_font=”PT Sans Narrow|700|||||||” text_text_color=”#210f0e” text_font_size=”30px” text_line_height=”1em” header_font=”||||||||” background_layout=”dark” custom_padding=”||10px”]Yezho\u00f9<\/strong>[\/et_pb_text][et_pb_text _builder_version=”3.19.12″ text_font=”Open Sans||||||||” text_text_color=”#210f0e” ul_font=”||||||||” quote_font=”||||||||” header_font=”||||||||” border_radii=”||||” border_color_top=”#ffffff” border_color_bottom=”#ffffff” text_orientation=”justified” background_layout=”dark” custom_padding=”0px|0px|6px|0px|false|false”]Hor yezh, ar yezho\u00f9 hag ar rannyezho\u00f9 a zo e-kreiz hol labour ivez. Ar brezhoneg a zo barzhoniezh en enni, un testeni eo deus un ijin stag ouzh ur bed liammet gant elfenno\u00f9 an natur. rannyezho\u00f9 ar brezhoneg a zo evel kement ton dishe\u00f1vel a zegas c\u2019hoant da labourat war al lusk hag ar son. Ha n\u2019eo ket souezh gwelet pegen frouezhus eo labour ar sonerien er vro.<\/p>\n \u00a0<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=”0|0px|0|0px|false|false” _builder_version=”3.19.12″ module_alignment=”center”][et_pb_column type=”4_4″ _builder_version=”3.19.12″][et_pb_text _builder_version=”3.19.12″ text_font=”PT Sans Narrow|700|||||||” text_text_color=”#210f0e” text_font_size=”30px” text_line_height=”1em” header_font=”||||||||” border_color_top=”#ffffff” background_layout=”dark” custom_padding=”0px||10px”]Harzo\u00f9<\/strong>[\/et_pb_text][et_pb_text _builder_version=”3.19.12″ text_font=”Open Sans||||||||” text_text_color=”#210f0e” ul_font=”||||||||” quote_font=”||||||||” header_font=”||||||||” border_radii=”||||” border_color_top=”#ffffff” border_color_bottom=”#ffffff” text_orientation=”justified” background_layout=”dark” custom_padding=”0px|0px|6px|0px|false|false”]Ur gwir bariadenn eo kinnig pezhio\u00f9-c\u2019hoari e brezhoneg. Penaos beza\u00f1 komprenet gant an holl er vro hag e-maez ar vro. Penaos treuzi\u00f1 an harzo\u00f9, gwir pe ijinet ? Penaos leurenni\u00f1 un oberenn evit ma vefe komprenet gant an holl, hep na vije troet war ar prim ? Ur bariadenn deknologel, arzel, yezhoniel an hini \u2019vefe neuze ? Daoust hag e c\u2019hellfe nerzh, korf ha mouezh an aktour sikour ac\u2019hanomp da vont a-benn deus \u00ab kudenn \u00bb ar yezh ? Sed aze un hent labour-all evit ar strollad.<\/p>\n <\/p>\n <\/p>\n Plougerne, miz here 2009 [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" \u00ab Le dialogue comme la diversit\u00e9 des cultures ne sont pas donn\u00e9s une fois pour toutes. Sans cesse ils se travaillent. \u00bb K\u014dichir\u014d Matsuura, ex-Directeur G\u00e9n\u00e9ral de l’UNESCO \u00ab L’autarcie […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-2308","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.teatrpiba.bzh\/br\/wp-json\/wp\/v2\/pages\/2308","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.teatrpiba.bzh\/br\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.teatrpiba.bzh\/br\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.teatrpiba.bzh\/br\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.teatrpiba.bzh\/br\/wp-json\/wp\/v2\/comments?post=2308"}],"version-history":[{"count":0,"href":"https:\/\/www.teatrpiba.bzh\/br\/wp-json\/wp\/v2\/pages\/2308\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.teatrpiba.bzh\/br\/wp-json\/wp\/v2\/media?parent=2308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nPleustri\u00f1 war ar c\u2019hor, korf ha mouezh an aktour a zo e-kreiz ar jeu e-barzh hol labour. Un doare da rei\u00f1 da gompren hor goulenno\u00f9 war an identelezh hag ar yezh an hini eo , kor hag istor ar c’hor, deus an hinienn d\u2019an engroez war al leurenn. Nerzh ar c\u2019hoari a-strolll o talvezout da rei\u00f1 da glevet an holl vouezhio\u00f9, kement istor zo ha kement mouezh a zo.<\/p>\n
\n<\/i><\/strong>Thomas Cloarec ha Tony Foricheur<\/i><\/strong><\/p>\n